Worland Custom Guitars

The following on-line reviews originally appeared in the Acoustic Guitar Gear forum and in the 13th Fret forum:

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Author
Topic: Review-Worland OM
Shannon C
Member
posted 12-29-2001 03:33 PM

Okay, here it is: my 2001 Worland OM, a 12-fretter, which I got for Christmas. I know a lot of you have
been waiting for my review. First, the specs. Body and sides are Indian rosewood, the top is Adirondack
spruce, the neck is mahogany with ebony overlaid on the peghead, and the fingerboard is ebony. The
binding is curly maple. The rosette appears to be dyed curly maple strips as well. The body is 15 ¼ inches
at the lower bout, depth is 4 inches, the nut is 1 ¾ inches, and the scale is 25.4 inches.

The top has some streaks; is that what you would call bear-claw? Anyway, Jim told me that almost all
Adirondack has some marks like that, and it doesn’t bother me. I rather think they add some character.

Technical stuff: fit and finish are excellent, the frets are well-done, and it smells great! It does not have a
pickguard, and I might think one day of putting on a clear pickguard a la Larrivee. I added a strap button
to the heel.

Now what you really want to know: it sounds GREAT!!! The volume is amazing, much better than I
expected for an OM. Each note is well-defined and just rings like a bell. The balance is outstanding; the
highs are clear and loud without being pinched, the mid-range is not muddy, the bass is tight without
being over-powering. The set-up is quite good, although a bit stiff at the moment. Jim shipped it with a
shim under the bridge, to allow for some easy adjustment. Although the guitar plays fine as it is, I will
remove the shim when I change strings. I play with a light touch, and this guitar will be primarily for
fingerpicking anyway. The intonation is excellent all the way up the neck, and the guitar capos well.

It would be an understatement to say I am thrilled with this guitar. The workmanship is first-rate, and it
sounds fabulous. It is hard to believe I got this beautiful guitar from a one-man operation for a shade over
$1300. Jim was easy to work with, very pleasant and knowledgeable. Above all, he is honest. If his supply
of some particular wood is not the greatest, he will tell you. If he believes you might be asking for
something that won’t work, he will tell you that, too. My guitar is simple, but he is certainly capable of
adding cosmetic flash if you like. Check out the website at www.worlandguitars.com

I’m glad to accept congratulations and jealous remarks at this time. I’ll also be glad to answer your
questions.

Shannon



tamarack
Member
posted 12-29-2001 03:43 PM

Shannon -- VERY impressive -- I'll take your word on the sound. The curly maple bindings and rosette are
striking -- the whole instrument is simple but elegant.

I'm glad to hear you had a good experience with an individual luthier and that Jim Worland can make a
living producing fine instruments at a great price.


Southern-Fried
Member
posted 12-29-2001 03:57 PM

Wow, what a guitar..what a price! I like the streaks, it makes the guitar look more natural and less generic
looking. Beautiful!

What's with the pyramid shapes on the bridge? Are they functional in some way or just purely cosmetic?


hesson11
Member
posted 12-29-2001 04:24 PM

Thank you, Shannon! She's a beauty. If it sounds half as good as it looks, you've really got a winner. How
in the world did you wait so long and patiently to open this present?

Just one question. Jim's Website says that his classical steel-string guitars are braced for medium-gauge
strings. What about this one? What strings are you using? Thanks again and big-time congratulations. Go
back to work now.


Member
posted 12-29-2001 04:39 PM

Southern-Fried: The pyramids are purely cosmetic, as far as I know. This is apparently a "vintage" touch.
And Hesson11, I asked Jim to set this up for mediums. It has Elixirs on it, but I'll change to Martin SP+
mediums soon. As far as my patience, it helped that we had to get Christmas ready for 4 children, AND
that I already have a couple of nice guitars to keep me occupied, AND that my wife would have maimed
me if I had cheated.


Dr. LJ
Member
posted 12-29-2001 05:59 PM

Shannon, Congratulations on taking possession of your beautiful new guitar. Worland is located about an
hour and a half away from me and I have given some consideration to heading on over and checking his
operations out. After seeing your new guitar, I am more sure than ever that I will do so. It is a very pretty
instrument and I hope you will enjoy it for many, many years. Nice going!


LJ
Mark Swanson
Member
posted 12-29-2001 06:22 PM

That is a nice lookin' guitar. I'd like to see the binding from the front to see what he did with any purfling.
What did he use to finish it? Nitro lacquer?
Adirondack does have stripes most of the time these days. I think you would have to pay high bucks for a
pure color piece- and the striped stuff sounds just as good. Bearclaw spruce is different. It is a "swirl" in
the grain, and mostly seen in the stiffest Sitka spruce.
Pyramid bridges are nice, aren't they? They started out on vintage Martins. Did you notice how the bridge
pins are angled at the same angle as the saddle? That's so all of the strings have the same break angle. A
nice touch. But it does seem to me that the briudge is set awfully far back into the body. Most 12 fret
guitars have a shorter scale so that the bridge can be placed more in the center of the lower bout.
Forward-shifted bracing can really help a guitar out, and when the bridge is so far back it can be hard to
get the center of the X as far forward as it could be. But, those are just my observations and MHO...no
doubt Jim has it all figured out!


epaul
Member
posted 12-29-2001 06:57 PM

Nice guitar, Shannon. I'm happy for you. You done good!


Paul
Steve B
Member
posted 12-29-2001 07:14 PM

Congrats Shannon!

It looks wonderful! Have you tried any flatpicking with it? I'd be curious.

Congrats again and best wishes


Steve B
Cranky Yankee
Member
posted 12-29-2001 08:03 PM

Shannon, very nice indeed. I am thrilled for you. May you have many, many years of happy strumming
with her. BTW, what's her name? Would love to hear what she sounds like. Any chance of getting some
mp3's out on the net?


Chak Aw
Member
posted 12-29-2001 09:35 PM

Jealous remarks indeed...I am speechless!

Congrats on the guitar. I really like the somewhat understated look of it if you don't my saying so. I agree
with the Cranky one - any chance of hearing what it sounds like?

Chak



steveo
Member
posted 12-29-2001 11:59 PM

You GO Bro" very nice " Now I need a Day job so I myself can get one..................
Congrats and Happy~Happy Play'n which I know you can Do.................................
Cause I've Heard Ya......................
SteveO


Dr. LJ
Member
posted 12-30-2001 06:58 AM

Chak Aw, it is hard for me not to be smitten by anything that beautiful!



matthewb
Member
posted 12-30-2001 01:51 PM

Shannon, Wow! Like it was worth the wait! I'm very much in favor of simplicity, and you guitar is very
beautiful in its simplicity. Hope we get to hear it and that it sings many songs in your hands!

Matt



Marshall
Member
posted 12-30-2001 06:30 PM

Well, in view of the lifespan of a guitar, I wouldn't exactly consider 8 days as having had it much of a
while, but I stand by my original post. I have no idea how to describe tone in any way other than I
already did. The craftsmanship is excellent, and the playability is excellent as well. I have no regrets, and
I would not be surprised if Jim's guitars are one day mentioned in the same breath with Ryan, Olson, etc.

Can you get all these things from a good "production" guitar? Well, of course you can. And there is some
risk when ordering custom; you don't get to try before you buy. But let me tell you this: I got the guitar I
wanted, with my choice of woods, cosmetics, etc. It was made individually to meet my needs and
desires. No one else has a guitar quite like mine. Plus, the whole process is just a barrel of fun.

So figure out what your risk tolerance and sense of adventure are, and decide what works best for you. It
is all about finding the tools that help you make music the best, not being able to gloat over owning a
custom guitar. Good luck in your search.

Shannon



phoenix
Member
posted 01-02-2002 10:07 PM

Beautiful guitar, Shannon!! My favorite little details are the maple binding and the beautiful back strip. I
like your taste! It's true that Adirondack of uniform color is pretty unusual nowadays (and is very costly).
$1300 seems like an incredible deal. I'll bet it sounds amazing.

I've noticed that brand new, virtually unplayed guitars can "open up" considerably right away if you
flatpick them intensely for as little as 10-15 minutes -- really strum the heck out of it. But be careful as
you have no pickguard!

Thanks for the pics. Now I'm dying to hear it!



Mark Swanson
Member
posted 01-02-2002 10:54 PM

Just a quick thing about the guitars' "opening up"...it's funny, but there is so much written about this
process as it happens over a long period of time. I notice the guitars that I build coming to life after one
or two sets of strings have been played out...by the time a couple of weeks have gone by, they sound
quite a bit more "open" than they first did. What I am saying is, during the first few months of a guitars'
life a whole lot of settling in happens and tone can really develop. Then, after that it's the long haul for
the rest of the aging process.



SantosL.Halper
Member
posted 01-03-2002 11:25 AM

A 12-fret without a slotted head-stock?!? Tsk Tsk! {grin}, just kidding, what a beaut. I have his brochure
and his prices really are awesome. I think perhaps an OM 12-fret in Indian Rosewood is in my future, but
with the narrower neck and, ahem, slotted peg-head.

Thanks for the review/info. I've been very intrigued by his products for sometime...-Santos


SantosL.Halper
Member
posted 01-03-2002 11:30 AM

A 12-fret without a slotted head-stock?!? Tsk Tsk! {grin}, just kidding, what a beaut. I have his brochure
and his prices really are awesome. I think perhaps an OM 12-fret in Indian Rosewood is in my future, but
with the narrower neck and, ahem, slotted peg-head.


Shannon C
Member
posted 01-03-2002 12:10 PM

quote:

Originally posted by SantosL.Halper:
A 12-fret without a slotted head-stock?!? Tsk Tsk! {grin}, just kidding, what a beaut. I
have his brochure and his prices really are awesome. I think perhaps an OM 12-fret in
Indian Rosewood is in my future, but with the narrower neck and, ahem, slotted
peg-head.

Thanks for the review/info. I've been very intrigued by his products for
sometime...-Santos

Hey, I like the solid headstock . Besides, I wanted the guitar to have something unusual about it.
Besides, slotted headstocks are a pain in the butt to re-string.

Let me know if you get something from Jim. I'd love to hear all about it!

Shannon



Chuck Sacayan
Member
posted 01-03-2002 01:52 PM

quote:

Originally posted by Dr. LJ:
Worland is located about an hour and a half away from me and I have given some
consideration to heading on over and checking his operations out. After seeing your
new guitar, I am more sure than ever that I will do so.


Dr. LJ

If you happen to see one of his little parlor models laying around on your visit, please do a little
fingerpicking for me. And don’t forget to send me the details.

Thanks, Chuck

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